% WSU Graduate School Thesis Requirements % Last updated on = 6/15/87 %********************* ***THESIS TEXMODEL*** ************************** %* This TEXMODEL shows some sections of a sample thesis. For a printout * %* of a sample thesis, simply run this file through TeX as it is. * %* When entering your own thesis, be sure to replace or delete all * %* sample text. If you are printing your thesis on a monospaced printer,* %* the \monospace command must be activated by removing the percent * %* sign preceding it. * %************************************************************************ % THESIS START % ***TITLE PAGE*** %\monospace \input thesis.texinput \justify \singlespace \setpagenumber{-1} \centerlinesbegin \bd A PHENOMENOLOGICAL THEORY OF \vs{12pt} CROSS-CULTURAL AESTHETICS \vs{1.25in} \rm By \vs{12pt} GEORG MACQUET \vs{1.25in} A thesis submitted in partial fulfillment of the requirements for the degree of \vs{12pt} MASTER OF ARTS IN ANTHROPOLOGY \vs{24pt} WASHINGTON STATE UNIVERSITY Department of Anthropology \vs{12pt} December 1986 \vs{.8in} \copyrt Copyright by GEORG MACQUET, 1986 All Rights Reserved \centerlinesend %DO NOT DELETE THIS LINE UNLESS LINE 19 IS DELETED % ***COPYRIGHT PAGE*** \np \titlepage \vsk{7in} \centerlinesbegin \copyrt Copyright by GEORG MACQUET, 1986 All Rights Reserved \centerlinesend %DO NOT DELETE THIS LINE UNLESS LINE 47 IS DELETED % ***SIGNATURE PAGE*** \newpage \setpagenumber{-2} \rightragged \vsk{2.8in} \doublespace \nin To the Faculty of Washington State University: \par The members of the Committee appointed to examine the thesis of GEORG MACQUET find it satisfactory and recommend that it be accepted. % %****************************************************************** %* The \signatures command draws the number of lines specified * %* in the first parameter for the committee members' signatures. * %* The first parameter may be any number, but if it is larger * %* than 5, spacing must be changed to make it fit on one page. * %* The second parameter of the \signatures command will be * %* centered as a title under the first line. * %****************************************************************** % \singlespace \signatures{4}{Chairperson} \doublespace % ***ACKNOWLEDGE*** \newpage \justify \preface{Acknowledgements} I would like to thank Clarke Moustakos and Helen Burdeman for their help in advising me to study Anthropology at ... % ***ABSTRACT PAGE*** \newpage \vsk{.6in} \centerlinesbegin \bd A PHENOMENOLOGICAL THEORY OF \bd CROSS-CULTURAL AESTHETICS \rm ABSTRACT \putincontents1{\nin Abstract\leader\pagenumber} \vs{12pt} \singlespace by Georg Macquet, M.A. Washington State University December 1986 \centerlinesend %DO NOT DELETE THIS LINE UNLESS LINE 84 IS DELETED \doublespace \noindent Chairperson: V.~L.~Nabokov \par Aesthetic phenomena can be defined from an anthropological perspective. Anthropology is empirical; therefore, aesthetic phenomena must also be defined empirically to be identified by the techniques of... \par %********************** MAIN TEXT OF THESIS ************************* %* This ends the preliminary pages of the thesis and begins the main * %* text. The remaining sections of the thesis may be entered using any * %* or all standard TeXT1 markup commands, including \autofootnote, * %* \bibliography, \autoendnote, \subheada, etc. For more information * %* on the standard TeXT1 markup commands see the "TeXT1 Users Guide * %* (S-522)," or the "TeXT1 Reference Manual (S-523)." * %************************************************************************ \chapter{Introduction} \setpagenumber{1} The original perspective of anthropology can contribute to a comprehension of art. Observational criteria are needed to identify aesthetic phenomena uniquely, and anthropology \el3 \sha{Art as Product} In the past, the arts have been studied primarily as products in anthropology. But the product must be created by human beings who behave in certain ways. In Merriam's words: \bqb Through the humanistic elements of his culture, man seems to be making pointed commentary on how he lives; his social life in itself seems to bring about conditions under which he is unable to restrain himself from commenting upon himself\el3 \bqe \sha{Styles of Representation} Representations are images that refer to the visual appearance of a thing. Gombrich's theory\afn{wherin a representation is not a symbol} is not appropriate in this context. Indeed, A.P. Meriam (1971)\aen{This is the only edition with the full analysis of semantic theories applied to oriental cultures.} states that\el3 \newpage \cl{\bd Notes} \printendnotes \toc{-5} \bye